Posts Tagged ‘ecology’

An impression of Uncivilisation 2012

Tuesday, August 21st, 2012

Dark Mountain: Conspiring in the destruction of everything greens value

We’ve just got back (late last night) from Uncivilisation 2012, the annual festival of the Dark Mountain movement. And before we return to abnormal life at Abrazo House, I want to record my impressions of the weekend. But to start with I should probably explain why we went there in the first place.

I first heard of Dark Mountain a couple of years ago and got the impression that it was a good and necessary thing: a movement of people making an honest effort to respond to the ecological crisis, in art, writing, and music. I got hold of a copy of the first volume of the annual Dark Mountain anthology, and found it unusually interesting, all the more so because, rather than languishing in total obscurity, it seemed to have kicked up a bit of a reaction. When George Monbiot writes an article in the Guardian accusing Dark Mountain’s founders of “conspiring in the destruction of everything greens value”, you have to suspect they might be onto something.

Last autumn I had few weeks free from working on the house, thanks to a combination of a mild cold, bad weather and a cowboy builder who did a runner. It was a rare window of opportunity to do some writing. At the same time two events called my attention back to Bilbao: the permanent ETA ceasefire, and the approval of the new Master Plan for Zorrozaurre, incorporating some elements of the “eco-barrio” design which we had fought for as residents of the area. This was a sort of landmark, and so I decided to write an essay (”Beyond Z.”) about Zorrozaurre for the third Dark Mountain book. I was delighted when the editors agreed to publish it, together with a poem (”On our way to the revolution”) about the Indignados movement in Bilbao. We were planning to come to England for a few weeks in August and it seemed like the Uncivilisation festival would be a fun weekend for the whole family and a chance to connect with some of the people in, on, or behind the Dark Mountain. All of what follows should be taken with a pinch of salt, as the experience of just one festival-goer out of 300, and any criticisms are offered in a constructive sense.

Pride and Prejudice and Ecowarriors?

We drove down from the Midlands along the A34, through the area of the Newbury road protests — appropriately, since one of the themes of the Festival was to commemorate the twentieth anniversary of the road protest movement. There was absolutely nothing to indicate that we were passing the site of some of the biggest battles to take place on English soil in recent history. (Someone ought to put up a commemorative billboard, or would that be just too ironic?) We decided not to visit Jane Austen’s house, which wasn’t far from our route – partly for reasons of time but mostly because of the odd cultural dissonance. “Pride and Prejudice and Ecowarriors”, anyone?

The festival was taking place at the Sustainability Centre, a lovely wooded site, tranquil and beautiful, definitely a great location for a festival. It’s also the home of a natural burial site, and of Permaculture magazine who have published a couple of articles about Zorrozaurre in the past, so I was hoping to meet the editors in person — though that didn’t happen since the office was closed over the weekend.

I didn’t really come with many expectations of what the festival would be like. It was the first we had ever gone to as a family, and my first since a traumatic trip to Glastonbury almost 20 years ago. I suppose I hoped it would be wild, strange and inspiring, and in many ways it was. Though as the organisers themselves pointed out, in a pleasing irony, it was also extremely “civilised” in the sense of being polite, tidy, clean, and respectful. The main marquee was a particularly English touch alongside the yurts and tipis. At one point the organisers had to make a call out for volunteers to help clean the trees where some children had been painting them (well, you would, wouldn’t you, if someone left paint in the woods?)

That was one of the installations made by the Mearcstapa collective on the fringes of the festival; others included the strange and wild mythological creatures wandering the site, which were also very polite and civilised. I particularly liked the read-aloud space in the forest, and I would have loved to have spent more time there, reading poems and stories. In fact, a lot more of the festival’s activities could have been taken into the woods, with tarps in case of rain. In the event we had blazing sun, which was lovely, but meant the tents got very hot inside; under the trees the temperature was ideal.

Civilisation is three days deep

One of the things that struck me throughout the weekend was the shortage of time. The festival proper lasted just under two days (from 7pm on the Friday to 4pm on the Sunday), and there were just so many different activities going on that I ended up feeling rushed, and got the feeling that I had missed quite a lot. Case in point: the discussion of Deep Time which had to be cut short after 20 minutes because everyone had to go to other events. A performer who runs wilderness retreats said that he takes people out into the wilds for solitary 4-day fasts, because it takes three days to shed the layers of defense that we build up: our civilisation is “three days deep”. It seemed to me that there was a lot of potential for things to happen at the festival that didn’t have time to flower; an extra day would have made a big difference.

As for the events themselves, there were some truly marvellous and inspiring ones, which I will take away with me. There was a lot of performance, maybe too much performance, and the boundaries between performer and audience were slow to break down – though by Sunday a couple of performance poets did gatecrash the Dark Mountain Writers stage, which was enjoyable and refreshing. Unfortunately, I didn’t stay very late at the campfire on either the Friday or Saturday nights (having kids will do that to you), but I heard that there were some amazing impromptu things going on there – I did manage to watch the energetic spiral dance, with the Horned Man as one of the dancers.

One of the stories told at the festival was about a village where everyone was a performer, nobody was just an audience member – except for the protagonist, a boy with no song. It seemed to me that that was the kind of festival Dark Mountain was aspiring to be: emphatically this was not meant to be a consumer experience. And things were developing in that direction, but didn’t go far enough; it seemed like the audience (”we”, the collective protagonist) had not yet been able to find their song. There were also some attempts at discussion of Dark Mountain and where it’s going; but they seemed to struggle with too many people and too little time. In the “Rise and Root” session, most people seemed to be making statements instead of questions.

My own question – which I didn’t put especially well at the time – was really about finding my way from clock time, not into the vertigo of deep time, but into the embrace of mythic time; finding my way into a culture or a tribe that respects the earth. I think that I found a small part of the answer through Dark Mountain and Uncivilisation 2012.

The morning before we set off for the Uncivilisation festival, I woke early and wrote the following poem, which I also read on the writer’s stage. It’s something I have been tossing around for years, ever since the last time I visited my late grandfather’s house in Sowton village, near Exeter. We were taking tea and on the table was a jar of honey bearing the legend: “All English honey will crystallise in time”. I knew I had to work this into a poem somehow, but it never seemed to come out. Finally it came to me that all the words were already there.

All English honey

In time, all English honey
will crystallise,
all crystallise.
In time, all English honey: in time.

All English, time will crystallise:
in honey, in honey.
All English, time will crystallise in honey.

In English all will crystallise:
all time, all honey.
In English all will crystallise, in time.

All English time, all honey, time
will crystallise,
will crystallise:
all English time, all honey, in time.

All honey time in English
will crystallise, in honey time.
All honey time
in honey time
in honey time
in English.

In honey time
will English,
will time all time
will crystallise:
all honey English crystallise will time.

Will crystallise
all honey will,
in time all English honey will.
All English honey will crystallise in time.

Course in Health, Ecology and Sustainability

Friday, October 21st, 2011

Health masters students get cosy in the playhouse2011 Health, Ecology and Sustainability field tripHealth students design exerciseHealth students design exercise2011 update: On Thursday 20 October the latest intake of 16 international Health Master’s students came to Abrazo House for the field trip portion of the course on Health, Ecology and Sustainability. The weather was lovely (though muddy underfoot after 24 hours of heavy rain). Students learnt about the discipline of ecological design and the history of the Abrazo House project, and began an exercise on designing health care systems along ecological lines.

Below you will find the course materials (presentations, reading list, recommended videos) for the use of the students and anyone else who might be interested…

Health master's students on field trip, 2010Health students get muddyHealth students get muddy

2010 update: Last Wednesday (13/10) a group of international students came to Abrazo House for a field trip. The students, mostly from the areas of medicine and public health, have come from 14 different countries on 4 continents to study for a European Master’s in Sustainable Regional Health Systems. This includes a semester at the University of Deusto in Bilbao, as part of which I’m teaching a course on Health, Ecology and Sustainability.

The central idea of the course is that, just as individual health depends on the health of the population to which the individual belongs, so population health depends on the health of the ecosystem within which the population exists.

The weather for the field trip was beautiful if chilly, and some of the students got their surgical gloves on and threw themselves into plastering the outside of the playhouse with cob.

Presentations:

Session 1: Indicators and Stories (1.5Mb pdf)

Field trip: Ecological Design (3.8Mb pdf); Health and Nature (1.2Mb pdf)

Session 2: Essay writing guidelines (96kb pdf)

NB. The slideshow on the development of the Abrazo House project is too big to post here as a pdf; I recommend you take a look at the photo galleries instead.

Download the course synopsis (including resource list) as a pdf (172Kb)

Reading list:

Course session 1: Indicators and Stories

  • Wikipedia (2010): Entry on Sustainability, among others. If you aren’t familiar with Wikipedia, it is a free web-based encyclopaedia edited entirely by volunteers. It is often a good place to start (but not to finish!) your research.
  • Global Footprint Network (2009): Ecological Footprint Atlas. The Ecological Footprint is the best available indicator of sustainability at a national and global level although I have doubts about the accuracy or usefulness of the “individual footprint calculators” you can find on the web.
  • New Economics Foundation (2009): Happy Planet Report. NEF created the Happy Planet Index to try to get governments to take happiness seriously as a policy goal. Unfortunately, there are no reliable data on happiness (is it even possible to measure it?) and NEF, among others, use data on “life satisfaction” instead - which is not necessarily a good indicator of happiness - see Life Satisfaction is not a Balanced Estimator of the Good Life by Joar Vittersø et al., J Happiness Stud (2009) 10:1–17.
  • World Bank (2010): World Development Indicators. The World Bank’s education indicators show how easy it is to get it wrong and end up measuing inputs instead of outcomes.
  • Jean Giono (1953): “The Man who Planted Trees”. Written to exemplify generosity of character, this short story has become a classic fable of sustainability, though not a practical guide to reforestation.
  • Jared Diamond (2004): Collapse. Sections on Easter Island and on Tikopia. How two similar societies succeeded or failed to sustain themselves and their ecosystems.

Field trip: Ecological design

  • Alcock, R (2010) Abrazo House website.
  • Smith, Michael G. (2002) “The Case for Natural Building.” The Art of Natural Building.
  • Whitefield, Patrick. (2004). The Earth Care Manual. (excerpts)

Designing sustainable health systems

Recommended videos:

  • TED videos: Despite the name, the TED (Technology, Entertainment, Design) conference series includes a lot of interesting videos on topics related to ecology and sustainability. Particularly recommended are talks Hans Rosling (on global health and development), Willie Smits (on ecological design in Borneo), Wade Davis (on ethnic diversity), Cary Fowler (on crop biodiversity), Jessica Green (on microbial diversity in buildings, including hospitals).
  • Greening the Desert and Greening the Desert 2: Greening the Middle East. Ecological design projects in Jordan with Permaculture designer Geoff Lawton.
  • The Man Who Planted Trees. Canadian animation based on the classic ecological fable.

A troll for Arne Næss

Monday, March 2nd, 2009

Arne Naess

Arne Næss (27 January 1912 - 12 January 2009)

I was working quietly at the land on my own on a cold, clear day, doing late-winter tidying jobs: cutting brushwood, lopping a tree branch that overhung the road, clearing away some wet bales of straw, and thinking. I was thinking about Arne Næss, the Norwegian philosopher, mountaineer, and ecological activist, who died on 12 January aged 96.

I was lucky enough to meet Arne, albeit not in the wilderness surroundings usually associated with this dweller above the treeline of human thought. In fact we met in February 2005 in a suburban shopping mall near the flat in north Oslo where he lived with his wife Kit-Fai. Almudena was spending six months at the University of Bergen, with me and one-year-old Sofia in tow. For me this meant skiing and hiking (with S in a baby-carrier), playing in a band, trying unsuccessfully to write a book, and reading a lot, including some of Arne’s vast output. Visiting Oslo to stay with family friends, I thought this would probably be my only opportunity to meet the great man, and was surprised when Kit-Fai replied to my email and said they would be glad to meet us.

Arne at 93 was a mischievous grin, trotting sprightly with a pair of walking poles. Kit-Fai ordered tea for him and excused herself to do some errands. Arne chatted with Almudena and me while we watched Sofia exploring the mall’s indoor plaza with its café tables and potted palms.

Arne was, of course, exuberant, no surprise in one who into his 90s was still climbing mountains and boxing above his weight, or even his age. He reminisced about Spain and walking from end to end of the Pyrenees, over all the mountain tops (so as not to favour either side – though he admitted preferring the Spanish to the French!) Hardly a man troubled with regrets, but certainly reflective about his life, he wondered whether it would all have been different if he had made other choices. What if he hadn’t returned from California at the age of 27, tempted by the University of Oslo with Norway’s first chair in philosophy? Might he done more, had greater influence, at Berkeley than in the small pond of Norwegian academia? He reckoned he could still have spent three months a year at his spiritual home, Tvergastein, a hut high up on the flank of Hallingskarvet, the central Norwegian mountain Arne has described with reverence as “the father of the long, good life.”

Our meeting lasted no more than an hour; then, as requested by Kit-Fai, we escorted Arne around the corner to the local drop-in centre for the elderly, where he was greeted as a regular. Just another day in the quiet life of a living legend in his own country.

An unusually quiet day, it would seem - the following week Arne was knighted by the King of Norway, while at the same time appearing in a Norwegian feature film called Loop (we were to see his picture on the film poster when we got back to Bergen train station). Meanwhile, my hosts in Oslo were more than a little surprised when I told them we’d spent the afternoon chatting with Arne Næss, and shocked to learn of the apparently plebeian circumstances in which he was living.

My personal contact with Arne was limited to this one meeting, but his spirit and ideas have reverberated with me, before and since. He is often described as the founder of a philosophy called “deep ecology”, which is mistaken, because he really talked about being part of a deep ecology movement which links together people with all manner of different underlying philosophies - from anarchists to Zen Buddhists - united by (what for me boils down to) a valuing of nature in and of itself, not merely an appreciation of its value to human beings. “The front is long,” he said, and it is; we all live daily on the front line - all we who feel the kinship of a cherry tree, an earthworm or a kingfisher, yet struggle to survive in doomed and dysfunctional, oil-guzzling, money-dominated ecosystems. What Arne was saying is, I think, that it’s not a matter of creating or embracing a new philosophy of “deep ecology” to express this kinship with nature - though he did in fact develop his own “Ecosophy”, called Ecosophy T (for Tvergastein), which he recognised was one of an infinite variety of possible ecosophies. Rather he called for us to acknowledge the pivotal position of this particular aspect of our diverse personal philosophies - whether we are “for” nature as a whole or merely “for” humanity (or some limited subgroup of it) - at at a time when human beings are far more abundant than in any previous era, and well beyond our ecological carrying capacity.

Arne was, he said, an optimist for the twenty-second century, by which time those who survived the twenty-first would be back on course for the Garden of Eden. Well, if there is a 22nd century - by which I mean, if there is a continuity of human culture which would be able to call it that - and if Sofia lives to see it, as she well might, then she will be one of the few people still alive who once met Arne Næss, and she will be able to tell us if he was right. Myself, I go along with those who say that it is better to invent the future than predict it, and you could say that what I’m trying to do (both at the land and elsewhere) is to invent ways for Sofia and her contemporaries to survive the 21st century.

How to build a troll

So, as I say, I was working quietly at the land, thinking about Arne, his ideas, his spirit - fierce, playful, exuberant, peaceful, forever in dialogue with the world.

Thinking with my hands, which is often the best way, I started gathering together the brushwood and wet straw bales which I had been clearing up. My idea was to see if I could use them to produce biochar (as a soil improver, a method for fixing atmospheric carbon, and a way of disposing of materials which would otherwise hang around taking up space until eventually they rotted down.)

Building the TrollThe Troll ready for lightingI made a sort of enclosure out of the wet straw bales, chopping up the brushwood into a dense pile in the middle, then covering it up with more straw bales, leaving an opening at one corner where I lit a fire. Once the fire took hold, things started to get strange. Instead of simply smothering the fire (reducing the oxygen supply so the brushwood would pyrolyse into biochar), the straw bales started drying out, steaming and smouldering. The pile of earth, wood and straw began to emit a damp, fragrant smoke that drifted across the valley. Picture a compost heap with fire in its belly… a fire that is not really under control, migrating from place to place inside the darkness of the pile. I realised I was playing with forces that I didn’t really understand, and started to feel a bit nervous - especially considering that I was only metres away from an unfinished straw-bale house. I ran a hose into the heap. This seemed to succeed in establishing a balance between fire and water which kept the straw charring instead of burning outright.

The Arne Naess Memorial TrollThe pile had come to life. This was neither a bonfire nor a simple pile of sticks and rotting straw - this was a living Biochar Compost Heap, looking like something you might encounter in the gathering dusk looming by the path in the trees’ half-light, breathing and smoking - wild, hairy, heart-thudding. A sort of gigantic stomach digesting a hot stew of life, a creative frenzy of transformation. Impossible to know what is going on inside it, though by its sheer force of life, you know there must be a great deal. Troll was the name for it.

I dedicate this Troll to the memory of Arne Næss. Now everything is going on inside you, Arne. Now you have returned to Tvergastein, to Berkeley, to unnameable places in the Himalaya and the Mojave, and to the shopping mall in north Oslo. Now you have been globalised, both atoms and words.

The Troll, collapsed but still smoulderingI let the troll burn for twenty-four hours before I had to put it out by pulling it apart to expose and water its heart. Nearly all the brushwood had been burnt up to ash, so the result was maybe 85% unburnt straw and 15% black biochar. No soil organisms can digest this nearly pure carbon, so this represents carbon dioxide that has been stolen from the carbon cycle, probably for centuries – doing a tiny bit to slow down climate change. No doubt if I had let the troll live for longer, it would have continued evolving along the same path and produced more of the good black stuff.

Oyster mushroom spawnThe next stage in the development of the Arne Næss Memorial Troll will be to seed it with oyster mushroom spawn - one of the fastest and most effective ways to break down the straw and make its nutrients available to the rest of the ecosystem. To bulk up the spawn, I placed it in plastic bags with some sterilised wet straw; later, I’ll empty the bags into the middle of the pile and cover it all up with a plastic sheet. I’ll harvest mushrooms and plant seeds and seedlings through holes in the plastic; it’ll be a node of diversity in our burgeoning forest garden. Keep tuned for updates!